O Zlda?
I always thought the most popular example of 7/4 was Money by pink floyd, which, other than the breakdown portion that starts and ends with guitar solos which is 4/4, follows the 7/4 the whole song while making a really nice flow about it... the sudden cutoff doesn't seem out of place and the song has a groove all its own.
I have had trouble explaining time signatures to people in the past... I once made a recording to demonstrate that the Song of Storms was 3/4.
Led Zeppelin have some notable different signatures too... the main lick of The Ocean is 15/8 (or 15/x, whatever you want to call it), while Fool in the Rain has 12/8, which has a really nice flow to it (1-2-3 1-2-3 1-2-3 1-2-3), transitioning to calypso 4/4 in the middle.
Ocarina has a few good examples. The bolero of fire is an example of a song that's easy to see what 2/4 is, in relation to 4/4... that slight difference. Serinade of water is more or less free time with undertones of 6/4.
And Let's not forget the somewhat well known song Morning has Broken, which uses 9/4 for most of it.
I have had trouble explaining time signatures to people in the past... I once made a recording to demonstrate that the Song of Storms was 3/4.
Led Zeppelin have some notable different signatures too... the main lick of The Ocean is 15/8 (or 15/x, whatever you want to call it), while Fool in the Rain has 12/8, which has a really nice flow to it (1-2-3 1-2-3 1-2-3 1-2-3), transitioning to calypso 4/4 in the middle.
Ocarina has a few good examples. The bolero of fire is an example of a song that's easy to see what 2/4 is, in relation to 4/4... that slight difference. Serinade of water is more or less free time with undertones of 6/4.
And Let's not forget the somewhat well known song Morning has Broken, which uses 9/4 for most of it.